Second entry in Grainthology Vol. 1 (not counting the bonus story). Also found in The Library of Guy. Meta information, such as length, can be found in both those places, though Grainthology Vol. 1 offers more detail.
Most weapons end up in the boneyards or in scrapheaps; these ones come home with you. The plus side to this is that you couldn't get better property defence if you tried. They make great friends, too.
-Summary, Grainthology Vol. 1
Note: This setting is brand new insofar as publishing. At its core it's about the awesomeness (and inherent silliness) of tank-themed autonomous mecha, however that's not to say it's completely unserious. I hope to use it more in the future, so do tell if that sounds interesting to you!
Disclaimer: This setting assumes some surface-level knowledge of common tank models to draw comparison with. However, I do not believe this is strictly necessary to understand the important details and plot of this story. Even then, a search engine can fill in the gaps quite easily.
Should one follow a star with feet on the ground they’ll soon find themselves standing on exactly the spot they started. It’ll take them on a winding journey across land and sea, but the ending is all the same as it began. Instead, one must first follow that which they share the world with. Mountains, trees, rivers, and the wind. Only once one has mastered the surface may they finally begin to chase stars.
Sabrina often thought about the skies above on those nights she couldn’t coax herself to sleep. She knew that one day, if not there yet, the sky would be not a distant canvas, a banner advertising cosmic delights far out of reach, but instead a step which she’d have to decide whether to take or not. So long as she could keep her mind sharp the future was a buffet of opportunity.
Irony was, she had past never much been one for buffets, literal or metaphorical.
How could she be? She’s a thirty-tonne war machine.
Lying out on cool grass atop a hill amidst the midwestern fields she so often roamed, she raised an armoured hand out in front of her face. Between her gunmetal fingers she tried in vain to scoop out a part of the cosmos, a sample of the future. One to hold close and cherish. Yet, as had always been, it remained distant.
It’ll be close someday, she thought. She turned her turret towards the farmhouse, the little palace ruling its tiny domain of a hundred hectares. A single light was on, the one in the kitchen. She chuckled, a rough metallic sound, knowing that in the morning she’d be ribbing on the old man living there for his forgetful housekeeping.
She lived for a cause, in was in her nature. One day she’d take on a cause for which she’d look upwards, not to rain fire upon an enemy just over the next ridge but to finally leave those earthly horizons behind entirely. In the meantime, though, her cause was to spend the years she could with the man in that quaint white wooden dwelling.
He was her commander, the closest of her former handlers.
A quarter of a century ago, when Hitler had fancied himself an empire of his own model perfection, she had been built in the great factories of America to help take the fight back to Europe’s western territories. A fraction the armoured force, her kind, commonly called as “Autofighters”, were nonetheless an invaluable asset when the fields funneled the battle into tight streets and tall buildings, as had been discovered with their invention during the Great War. The ability to sidestep danger, literally, should not be underestimated when dodging Panzerfausts and sliding through narrow alleys. Virtually every model of turreted tank received an equivalent forged in humanoid form – standardization, where it can be achieved, is worth more than gold in the matters of such otherwise unique weapons.
However, with giving a war machine life (piloting them with soldiers proved surprisingly more difficult than making a tweaked electrical facsimile of the human brain), one must account for the needs of a living being. These needs came not in the form of hunger for food and drink, as these living machines consumed fuel and spare parts much like any other machine, but from the simple fact that they were people. People who, in spite of their stronger convictions and naturally nigh-invincible resolve, needed guidance and companionship to lead them from the clockwork of factories to the torn earth and choking smog of war. As a tank has a crew, so does an autofighter; yet unlike for a tank the autofighter’s crew does not ride inside their steel beast but rather lead it from the ground as handlers.
The autofighter provides the firepower and dreadnought determination, while the handlers provide the wisdom and maintenance to keep them going.
Sabrina, as her handlers had named her, became closest to her commander over the course of her tenure in battle. Though she cared deeply for all her comrades (while mourning those she lost), and awaited her other former handlers’ occasional visits with great anticipation, when the time came for her to enter retirement she knew who she’d be going off with.
Now, back in the USA over twenty years later, she counts the years until she loses him too.
Out of battle, finally, she knew that in all likelihood she would outlive her commander. After all, all an autofighter needs to preserve their life indefinitely is their electronic brain intact – and a power source to keep it running, of course. This near-certainty of eventual loneliness in a world past her body’s technological relevance, a mere M40A3E8 at a time when M600s and AT-64s were pointing guns at each other over in Europe, kept her up into the late hours sometimes. But, as luck would have it, therein lay the remedy: the stars.
Where two lives would end another would have the chance to begin. Her future.
So, in the meantime, she’d enjoy this one as much as she mechanically could. Out on a farm in the middle of nowhere with her best friend in the world.
She sat up, propping herself on her arms behind her. Towards the pond her sights turned, and just past it the cornfield. In the dark of the moonless night, she could hardly see the bumps and potholes in the dirt road running alongside them – at least, not without her night vision, a perk of living in the year 1970.
Flipping the device on, conveniently embedded in her gunsight, she surveyed the worn trail. As she expected, there was nothing. She wasn’t really sure what she was doing, playing nightguard on the property deemed safest in the region (no doubt due to her simple presence alone), nevertheless her watch was unbreakable. Or, rather, it was for about four minutes.
Growing bored, she lowered herself back onto the (now greatly flattened) grass and drew her boxy legs up to her sloping breastplate. While autofighters don’t get cold in the same manner humans do, only really noticing low temperatures when fluid lines burst and parts begin to seize, they retain a number of habitual rituals from their interactions with their human handlers. Seeking warm places to sleep is one of those behaviours.
Content with her new position, she closed the shutters over her various optics adorning her turret – gunsight, rooftop, and cupola - and drifted off into a long overdue slumber.
There was rattling by the front gates.
Her optics shot open, but she knew better than to spring to her feet. Such an action would be noisy, especially seeing as it’d require more energy than her batteries could supply her with. If her engine rumbled alive, it’d give her away without a doubt.
Slowly she shifted her turret, making good use of her adjustable-tilt “neck” turret ring mounting to get the source of the noise within her crosshairs.
Just within the gates was a darkly dressed figure. They wore all-black clothing, mask included, and carried a heavy bag in one hand with a crowbar in the other. They looked this way and that, wary as they crept closer to the farmhouse.
The farmhouse where Sabrina’s commander was sound asleep.
Despite the potential gravity of the situation, she couldn’t help but be flabbergasted. Did this trespasser not realize they were waltzing into the territory of a colossal engine of war? Were they stupid? Everyone over in town knew Sabrina was a total sweetheart, but they were also well aware that should push come to shove she would fight with fearsome skill and power; she’d proven as much during WWII and had the decorations to show for it.
She had a dilemma. On the one hand, this intruder could pose a threat to the most important thing then inhabiting her world. On the other hand, merely crossing into another’s property did not immediately warrant death, even if a threat to others. In her view, willingness to kill does not equal murder, so, unless they truly went too close for comfort, she’d rather avoid seriously harming them. Additionally, simply wiping them off the face of the planet with a high explosive round from where she already lay would wake her commander, create a huge mess to clean up (a process her commander had long grown sick of during the war), and very probably bring several very angry policemen to their doorstep.
She hatched her plan.
Slinking down the hill, careful to not drain her batteries, she set herself in the muddy ditch running beside the dusty driveway. She’d need a bath later, but that was a price worth paying for what she was about to do.
Within minutes the wary interloper had reached the portion of path adjacent her silent steel frame. Shrouded by the dark and hidden by the depression, they didn’t see her. They were oblivious to what they had put themselves in arm’s reach of.
At just the right moment, when the invader was a mere stone’s throw apart from her resting spot, she pulled herself out of the ditch and onto the path ahead of them. Not quickly, not slowly, just the right speed for the unfortunate visitor to catch sight of a terrible dark shape growing tall and broad against the starry heavens behind.
On one side was the lowly trespasser. On the other, standing two storeys taller, was Sabrina and her worlds.
The winner was clear.
The now-panicked interloper took off sprinting as fast as their shaking legs could carry them. Several times they stumbled and nearly tripped upon dips and rises they could not see in the suffocating blackness of the rural night.
Sabrina, on the other hand, could see every one of them.
Now was the time. Her engine roared to life and with that newly restored energy she gave chase. It should go without saying that she’s never the sort to needlessly run someone down, especially when she already holds the advantage so completely, but she’d be lying if she claimed she was entirely above leveraging her size and power to prove a point now or again.
Here, she was reminding the world why you don’t take chances threatening an autofighter’s cause.
Along past the pond she chased the diminutive figure. In an attempt to escape their pursuer they even leapt off the road, nearly falling into the water. Instead, they scrambled on the side of the slope, growing increasingly frantic as their slowed movements coincided with the rapidly approaching thunder of an M40’s footfalls. Eventually they reached the edge of the cornfield and dove right in.
Sabrina hadn’t quite predicted that. She’d expected the person to flee the property, not hide. They’d likely surmised that she lived on the farm and thus would be less willing to destroy her and her commander’s crop just to catch them.
“Tricky, aren’t you?” she growled devilishly. An almost scratchy sound, every M40 (like nearly all other autofighters throughout history) was equipped with a voice box, but it was up to the individual autofighter to learn how to use it properly. She had perfected her own voice during the war, producing a slightly higher and distinctly feminine tone that she thought fit her personality quite nicely. Despite that, though, she could unlearn it for moments like this where the raw vocal scraping of the M40 would be more appropriate.
Within the cornstalks she could hear a muffled whimpering. She was having her intended effect; however, they were still moving further in, further out of reach.
She didn’t want to stay waiting for them to finally leave the safety of the corn all night - even artificial brains need rest – but she also didn’t want the intruder to get away with only traumatic tales of a nightmarish midnight chase to learn from.
Her salvation came in the form of a gift from her commander.
She’d never noticed them before, but at many points within the cornfield there were voids, places where no crops had been planted. They were about the right size and spacing for her to step though them, should she be careful.
She chuckled. The corn had always been her commander’s deal, she tended to the wheat instead, but even then he’d still been thinking to accommodate her.
Through the corn she floated, listening carefully for the rustling of leaves, watching closely for the swaying of stalks. After a minute or so of scanning she’d found her quarry. They were attempting to play dead. She parted the corn around them, giving her full view of them and them full view of her. In that moment she switched on her spotlights, illuminating them both.
She saw a cowering lump of regret that’d learned to not enter others’ homes without asking.
They saw a terrible, olive-drab beast painted with the most horrible grin of razor-sharp teeth staring down at them hungrily.
For the umpteenth time she pondered the irony of her handlers giving her such malicious-looking designs when her personality was so friendly. She shrugged internally; it was just part of her now.
Turning her attention back out towards the quivering flesh below, she spoke. “Kindly, do not resist.”
When morning came and old commander Roselle sat himself upon his porch to sip his breakfast soup, a recipe Sabrina’s old ammunition specialist had given him while fighting in France, he was mildly surprised to find that Sabrina was nowhere to be found. Usually by this time in the morning she’d have set herself up by the porch to converse with him about their nights. Often, she’d tell him of dreams she had or wildlife she’d spotted when she couldn’t sleep.
Well, this time she really did do that, she just took a bit longer to get there and the wildlife she’d seen was of a bit of a different sort.
From over the hill she came, limp body of a human slung over her shoulder.
At first Roselle was alarmed, he’d feared she’d killed someone by accident (if it had been intentional then either it’d gotten truly serious, or that was no longer Sabrina), but calmed a bit when he realized they were still breathing, just passed out from exhaustion.
She’d told him of the night before, how she’d toyed with them to send a message in chasing them through the cornfield, and how they’d had to wait until dawn pinned under her multi-tonne arm for lack of a rope to tie them up with.
He was astonished. But, at the same time, not. Sure, it didn’t happen every day, but what she’d told him was as Sabrina a story as any other. Protective, not a hint of genuine malice, yet nevertheless with a helping of mischief when she could find the excuse.
By the time she had finished recounting the prior night all he could bring himself to do was call the police and have this burglar (as they found out they were) arrested.
And with that, another day was spent.
Well spent, Sabrina thought.
Very well spent.
As I said under the previous two stories in this collection:
I can't believe I have to say this, but if you do read it, please give me some sort of indication. Even so much as a comment saying "I read it" would be appreciated.
Feedback also strongly appreciated so that I can improve in the future.
I also want to add that, yes, the descriptions of what autofighters look like are rather weak; I wasn't sure how to add them in a manner that wasn't clunky. If you'd like clarification on anything feel free to ask.
@JSTQ I’m very happy to hear that!
… the next one isn’t so perfect, unfortunately. Honestly this one is probably my favourite overall averaging concept and execution.
About the cornfield… Hm.
I suppose I could’ve signalled intent better (I.e. made it clear that the care between them is mutual, thus precedent for the commander doing such a thing), though since this is from Sabrina’s POV she wouldn’t have known about the corn path specifically before getting close. (Also I hadn’t planned that closely at the beginning anyways, heh.)
I have no objections—this is a perfect story.
However, I've been thinking: could there be some foreshadowing for the path in the cornfield earlier in the text?
@Ashdenpaw1 Cool I guess
This comment is 68
@EnglishGarden No.
@Graingy could that be the next grainy story?
@TheLoadingGorilla If we touched there would be an explosion of apocalyptic scale. I gotta say, I hate poetry which is just
badly laid out
sentences
with random
breaks in weird
spaces.
It is the most pretentious shit, I swear. That ain't poetry, that's a pile of formatting errors atop a sentence written by a kid in grade one.
@Ashdenpaw1 Language!
Poetry is a different story though, that stuff just sucks the life out of me, I hate it. Shakespeare is the only slight exception, because although the poetry itself may kill me there are layers to the plot and characters that I find interesting to dissect and look at
@Graingy oh I get it, I’ve had ideas about writing some fantasy for years now but I haven’t really got anything concrete except for some main plot components and characters…
I’m quite the opposite with reading though, I really can’t put down a book as long as it isn’t 1. Frustratingly unresolved or infuriatingly “mysterious” (like “A series of unfortunate events”, that book nearly killed me…) or 2. Stupidly slow or boring
@TheLoadingGorilla Yeah. I've had someone in the past tell me a story (actually the first one I ever posted!) wasn't quite to their tastes, though IIRC they meant the mood more than anything i.e. they preferred more comedic stories.
If ever, it'd be the far future. I need experience with longer forms of writing first. Ideally it'd be a webcomic, but of course that's impossible so something written would be the way instead. It's all a big "If" at the moment, so I wouldn't count on it. Years, at least.
Actually, I did very recently write on a whim a story with some fantasy elements, though it's not as "complete" as these others in regards to its worldbuilding. Idk how to describe it, might share after the rest of Grainthology Vol. 1.
I've heard of that story, read a summary once, but never read it itself. I'm really not a reader myself, just don't enjoy it. Once took me 24 hours without sleeping to get through 100 pages of The Hobbit and boy was that hell.
@Graingy just curious, have you ever read “The most dangerous game”? I know it was published in like 1930s or something so it’s pretty old but I absolutely loved it, so if you haven’t read it I would recommend it if you like suspense and slightly dark themes (I don’t know if dark is exactly the right word but that’s the best I can describe the vibe I got from it)
Edit: it was published in 1924 (according to AI) so it’s pretty dang old
@Graingy right, genre is the word I was looking for. For fantasy literature I have a much greater attention span, so if that idea ever comes into existence I’d gladly read it! I’ve heard rumors of what Reddit is like… dark rumors full of horror and fear…
…
Anyways! I’m looking forward to your next story, whatever it may be
@TheLoadingGorilla Ahh, so you mean genre.
I've had an idea for a fantasy story bouncing in my mind for years, but it's not very developed and it'd need to be a long-form story. Who knows if that'll ever see the light of day...
3. Understandable. It's supposed to be metaphorical, but when introducing passages which are basically just metaphor things are bound to drag on a bit.
Unfortunately I don't have many places to go besides this website. I'd certainly never post these to Reddit; not only is there a much greater competition leading to zero people reading, but also because Reddit is full of selfish degenerates who I don't want anywhere near my stuff.
Just how it goes :/
@Graingy I really enjoy fantasy (such as lotr), although I have read stories from different genres and enjoyed nearly all of them (assuming they aren't cheep pieces of trash). This is a side note, but one of my favorites is "The most dangerous game" by Richard Connell.
1. Ok that makes sense
2. Right
3. The description about the stars specifically is what made my attention start to wander, I found the "lore" (for lack of a better term) about how and why the machines came about and some of Sabrina's backstory to be intriguing and that part was what hooked me. And, as you noted, this is simply my preference, I’m sure there are plenty of people (maybe not on this website though lol) who would find that part about the stars incredibly interesting. Hope my feedback was helpful!
@TheLoadingGorilla Thank you, and thank you for your response. Curious what your preferred style is?
The opening part with more descriptive language (which can be seen in several of my previous stories) serves three main purposes.
1: Outline's the character's worldview, giving insight into how she (and her kind) are.
2: As you guessed, it gets things moving. It can help generate momentum in writing.
3: It is intended to hook the reader. Start strong to get them in, end strong to leave a good impression. That's the goal, at least, like a literary shit sandwich ;)
The word count thing is something I have to wrestle with a bit insofar as its purpose. These multi-thousand word stories are fundamentally different than shorter forms in what they can contain and do, so trying to minimize word count wherever possible just isn't really what they're supposed to be. Of course, it's fine if that's not somebody's preference (that's what a preference is, after all), just that going into more detail and more abstract ideas is the point of these longer stories. This is doubly true for setting/character introductions, such as this one. These sort of occupy a middle ground between short stories and series anyways. Too disconnected to be part of one story, but too connected to be completely independently viewed - yet they still need to explain themselves enough for someone who hasn't read all the others.
Considering this is completely outside the purpose of this website, there's going to be some challenges.
I do have some shorter stories, in case that'd be more your speed.
@Graingy I read it. I quite liked it (even though it isn't really my style). I do have a question though, that part at the beginning about the stars, is that to set up a possible sequel or just some extra detail or maybe to help you get into the mood of writing (which is what I often do when I write essays, begin with detail that leads into the rest of the paper to set it up), or something else? I found it to be a great setup although it definitely added a bit to the word count. I have a short attention span for short stories, so that detail at the beginning was a little much for me to read through without my attention wandering (it was well written, I’m just saying you almost lost me because of the "wordiness"). I'd give it an 8.6 out of 10 for a specific rating.
Edit: the length of the short story itself I think was totally fine, it's just that "intro part" (for lack of a better term) is a bit long. Once I got into the story itself I had no problems with my attention wandering, and I found it to be an interesting story
@Ashdenpaw1 Length is rather typical for a short story, however I understand that for the site it's rather long. Mouse has told me they think the Hundred-Words fit better. As that's inherent to the type of story this is it unfortunately can't really be helped, but I suppose I'll take this as a sign to make more shorter ones. What length range do you think would be better? Was the Halloween story (a Five-Hundred-Word) a better length?
Thank you, though I'm curious what you mean by "the idea"? You mean the tank mech part? Or sentient war machines in general? Or a retired war machine? Or something else?
And I'm entirely unsurprised that you would want to kill them. I didn't say that about the cave for nothing on that other post. You are a threat to public health. May you never have an executioner's axe at your command, for you would have a reign which rows through the years on a river of blood.
@Graingy
I dunno. It's a bit long as a first thing.
I like the idea of it, I'd fucking kill the burglar though :3
@Ashdenpaw1 So, if you'd be so kind, at least give me an example of something you liked or, better yet, didn't like. I'm not asking for a book report, just a bullet point or two.
@Graingy
hm oka :3
@Ashdenpaw1 Which is irrelevant here because if I'm asking for feedback it's from people who already did that anyways.
@Graingy
I meant people don't wanna read long stuff
@Ashdenpaw1 Oh sure, but I'm not asking those who haven't read it.
@Graingy
Also, not everyone logs onto SimplePlanes to check notifications and then read an entire story